Walter Scott Prize

1950: late summer season on Cape Cod. Michael, a ten-year-old boy, is spending the summer with Richie and his glamorous but troubled mother. Left to their own devices, the boys meet a couple living nearby - the artists Jo and Edward Hopper - and an unlikely friendship is forged. She, volatile, passionate and often irrational, suffers bouts of obsessive sexual jealousy. He, withdrawn and unwell, depressed by his inability to work, becomes besotted by Richie's frail and beautiful Aunt Katherine who has not long to live - an infatuation he shares with young Michael. A novel of loneliness and regret, the legacy of World War II and the ever-changing concept of the American Dream.

Midhat Kamal is the son of a wealthy textile merchant from Nablus, a town in Ottoman Palestine. A dreamer, a romantic, an aesthete, in 1914 he leaves to study medicine in France, and falls in love. When Midhat returns to Nablus to find it under British rule, and the entire region erupting with nationalist fervor, he must find a way to cope with his conflicting loyalties and the expectations of his community. The story of Midhat's life develops alongside the idea of a nation, as he and those close to him confront what it means to strive for independence in a world that seems on the verge of falling apart.

Three journeys. One road. England, 1348. A gentlewoman is fleeing an odious arranged marriage, a Scottish proctor is returning home to Avignon and a handsome young ploughman in search of adventure is on his way to volunteer with a company of archers. All come together on the road to Calais. Coming in their direction from across the Channel is the Black Death, the plague that will wipe out half of the population of Northern Europe. As the journey unfolds, overshadowed by the archers' past misdeeds and clerical warnings of the imminent end of the world, the wayfarers must confront the nature of their loves and desires.

Henry Irving is Victorian London's most celebrated actor and theater impresario. He has introduced groundbreaking ideas to the theater, bringing to the stage performances that are spectacular, shocking, and always entertaining. When Irving decides to open his own London theater with the goal of making it the greatest playhouse on earth, he hires a young Dublin clerk harboring literary ambitions by the name of Bram Stoker to manage it. As Irving's theater grows in reputation and financial solvency, he lures to his company of mummers the century's most beloved actress, the dazzlingly talented leading lady Ellen Terry, who nightly casts a spell not only on her audiences but also on Stoker and Irving both. Bram Stoker's extraordinary experiences at the Lyceum Theatre, his early morning walks on the streets of a London terrorized by a serial killer, his long, tempestuous relationship with Irving, and the closeness he finds with Ellen Terry, inspire him to write Dracula, the most iconic and best-selling supernatural tale ever published.

It is 1916. The world has gone to war, and young Leo Sercombe, hauling coal aboard the HMS Queen Mary, is a long way from home. The wild, unchanging West Country roads of his boyhood seem very far away from life aboard a battlecruiser. Skimming through those West Country roads on her motorcycle, Lottie Prideaux defies the expectations of her class and sex as she covertly studies to be a vet. In a world torn asunder by war, everything dances in flux: how can the old ways of life survive, and how can the future be imagined, in the face of such unimaginable change. How can Leo, lost and wandering in the strange and brave new world, ever hope to find his way home?

Sequel to Wolf hall (2009) and Bring up the bodies (2012). England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith's son from Putney emerges from the spring's bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen before Jane dies giving birth to the male heir he most craves. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry's regime to the breaking point, Cromwell's robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him?

A thrilling departure: a short, piercing, deeply moving novel about the death of Shakespeare's 11 year old son Hamnet--a name interchangeable with Hamlet in 15th century Britain--and the years leading up to the production of his great play. England, 1580. A young Latin tutor--penniless, bullied by a violent father--falls in love with an extraordinary, eccentric young woman--a wild creature who walks her family's estate with a falcon on her shoulder and is known throughout the countryside for her unusual gifts as a healer. Agnes understands plants and potions better than she does people, but once she settles with her husband on Henley Street in Stratford she becomes a fiercely protective mother and a steadfast, centrifugal force in the life of her young husband, whose gifts as a writer are just beginning to awaken when his beloved young son succumbs to bubonic plague.

Motherless, Esme spends her childhood in the Scriptorium, a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. One day a slip of paper containing the word bondmaid flutters beneath the table. She rescues the slip, and is told that the word means "slave girl." Learning that words relating to women's and common folks' experiences often go unrecorded, Esme begins to collect other words discarded by the dictionary men. As she grows up, Esme begins in earnest to search out words for her own dictionary: the Dictionary of Lost Words.

The Magician opens at the turn of the twentieth century in a provincial German city where the young boy, Thomas Mann, grows up with a conservative, conventional father and a Brazilian mother, exotic and unpredictable, who will never fit in. He hides both his artistic aspirations and his homosexual desires from this father, and his sexuality from everyone. He longs for the charismatic, beautiful, rich, cultured young Jewish man, but marries his twin sister. He longs for a boy he sees on a beach in Venice and writes a novel about him. He has six children. He is the most successful novelist of his time. He wins the Nobel Prize and is expected to lead the condemnation of Hitler. His oldest daughter and son share lovers. They are leaders of Bohemianism and of the anti-Nazi movement. This stunning combination of German propriety and Bohemian revolution goes hand in hand for decades. We see the rise of Hitler, the forced exile of a swath of German writers and artists, Mann's narrow escape to America, his sojourn at Princeton, along with fellow exile Einstein, and his final move to LA in the late 40s where he presided over an astonishing community of writers, artists and musicians, including Brecht and Shoenberg, even as his children court tragedy. To call this a portrait of an artist is both reductive and true-it is a novel about a character and a family, fiercely engaged by the world, profoundly flawed, and as flamboyant as it's possible to be.