Lariat Adult Fiction Reading List

In present-day California, Eleanor Bennett's death leaves behind a puzzling inheritance for her two children, Byron and Benny: a traditional Caribbean black cake, made from a family recipe with a long history, and a voice recording. In her message, Eleanor shares a tumultuous story about a headstrong young swimmer who escapes her island home under suspicion of murder. The heartbreaking journey Eleanor unfolds, the secrets she still holds back, and the mystery of a long-lost child, challenge everything the siblings thought they knew about their family, and themselves. Can Byron and Benny reclaim their once-close relationship, piece together Eleanor's true history, and fulfill her final request to 'share the black cake when the time is right?' Will their mother's revelations bring them back together or leave them feeling more lost than ever?

A by-the-book literary agent must decide if happily ever after is worth changing her whole life for in this insightful, delightful new novel from the #1 New York Times bestselling author of Beach Read and People We Meet on Vacation. Nora Stephens life is books-she's read them all-and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters' trip away-with visions of a small town transformation for Nora who she's convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they've met many times and it's never been cute. If Nora knows she's not an ideal heroine, Charlie knows he's nobody's hero, but as they are thrown together again and again-in a series of coincidences no editor worth their salt would allow-what they discover might just unravel the carefully crafted stories they've written about themselves.

When struggling journalist Cecily Wong is invited to join an expedition to climb one of the world's tallest mountains, it seems like the chance of a lifetime. She doesn't realise how deadly the climb will be . As their small team starts to climb, things start to go wrong. There's a theft. Then an accident. Then a mysterious note, pinned to her tent: there's a murderer on the mountain. The higher they get, the more dangerous the climb becomes, and the more they need to trust one another. And that's when Cecily finds the first body.

Meena Dave is a photojournalist and a nomad. She has no family, no permanent address, and no long-term attachments, preferring to observe the world at a distance through the lens of her camera. But Meena's solitary life is turned upside down when she unexpectedly inherits an apartment in a Victorian brownstone in historic Back Bay, Boston. Though Meena's impulse is to sell it and keep moving, she decides to use her journalistic instinct to follow the story that landed her in the home of a stranger. It's a mystery that comes with a series of hidden clues, a trio of meddling Indian aunties, and a handsome next-door neighbor. For Meena it's a chance for newfound friendships, community, and culture she never thought possible. And a window into her past she never expected. Now as everything unknown to Meena comes into focus, she must reconcile who she wants to be with who she really is.

Carolina Soto is undeniably fierce. She is determined to be the best professional tennis player the world has ever seen. And by the time she retires from the game in 1989 at the age of thirty-one, she is just that: the best. She has shattered every record and claimed twenty Slam titles. And if you ask Carrie, she is entitled to every one of those victories. After all, her dad-a former champion tennis player himself-has trained her for this since the age of two, always emphasizing, "We don't stop for one second until you are the best." Which is why it is infuriating when Nicki Chan arrives on the scene six years later and ties Carrie with twenty Slams. Just like that, Carrie's championship record is slipping through her hands. And she can't let that happen. So at thirty-seven years old, Carrie Soto is coming out of retirement to defend her title. Even if the sports media says she's too old to be playing professionally. Even if her injured athlete's body doesn't move as fast as it once did. Even if it means trusting her father to coach her again after he betrayed her all those years ago. And even if the fans don't want the cold, heartless "Battle Axe" Carrie back. In spite of it all: Carrie. Is. Back. She will return for one final season to prove to the world that she is the all-time champion. Because if you know your destiny is to be the best, isn't it your right to keep fighting for it?

Two criminal empires together control all of New England. Until a beautiful woman comes between the Irish and the Italians, launching a war that will see them kill each other, destroy an alliance, and set a city on fire. Danny Ryan yearns for a more “legit” life and a place in the sun. But as the bloody conflict stacks body on body and brother turns against brother, Danny has to rise above himself. To save the friends he loves like family and the family he has sworn to protect, he becomes a leader, a ruthless strategist, and a master of a treacherous game in which the winners live and the losers die. From the gritty streets of Providence to the glittering screens of Hollywood to the golden casinos of Las Vegas, two rival crime families ignite a war that will leave only one standing. The winner will forge a dynasty.

In the overthrow of the Mexican government, Beatriz's father is executed and her home destroyed. When handsome Don Rodolfo Solórzano proposes, Beatriz ignores the rumors surrounding his first wife's sudden demise, choosing instead to seize the security his estate in the countryside provides. She will have her own home again, no matter the cost. But Hacienda San Isidro is not the sanctuary she imagined. When Rodolfo returns to work in the capital, visions and voices invade Beatriz's sleep. The weight of invisible eyes follows her every move. Rodolfo's sister, Juana, scoffs at Beatriz's fears--but why does she refuse to enter the house at night? Why does the cook burn copal incense at the edge of the kitchen and mark its doorway with strange symbols? What really happened to the first Doña Solórzano? Beatriz only knows two things for certain. Something is wrong with the hacienda. And no one there will help her. Desperate for help, she clings to the young priest, Padre Andrés, as an ally. No ordinary priest, it will take Andrés's skills as a witch to battle the malevolent presence haunting the hacienda. Far from a refuge, San Isidro may be Beatriz's doom.

A vivid reimagining of the woman who inspired Hester Prynne, the tragic heroine of Nathaniel Hawthorne's The Scarlet Letter, and a journey into the enduring legacy of New England's witchcraft trials. Who is the real Hester Prynne? Isobel Gamble is a young seamstress carrying generations of secrets when she sets sail from Scotland in the early 1800s with her husband, Edward. An apothecary who has fallen under the spell of opium, his pile of debts have forced them to flee Edinburgh for a fresh start in the New World. But only days after they've arrived in Salem, Edward abruptly joins a departing ship as a medic--leaving Isobel penniless and alone in a strange country, forced to make her way by any means possible. When she meets a young Nathaniel Hawthorne, the two are instantly drawn to each other: he is a man haunted by his ancestors, who sent innocent women to the gallows--while she is an unusually gifted needleworker, troubled by her own strange talents. As the weeks pass and Edward's safe return grows increasingly unlikely, Nathaniel and Isobel grow closer and closer. Together, they are a muse and a dark storyteller; the enchanter and the enchanted. But which is which?

Francesca is Caro's stepmother, and Pauly's mother. A scientist, she can see what is going to happen. The high house was once her holiday home; now looked after by locals Grandy and Sally, she has turned it into an ark, for when the time comes. The mill powers the generator; the orchard is carefully pruned; the greenhouse has all its glass intact. Almost a family, but not quite, they plant, store seed, and watch the weather carefully.

Every day Iona, a larger-than-life magazine advice columnist, travels the ten stops from Hampton Court to Waterloo Station by train, accompanied by her dog, Lulu. Every day she sees the same people, whom she knows only by nickname: Impossibly-Pretty-Bookworm and Terribly-Lonely-Teenager. Of course, they never speak. Seasoned commuters never do. Then one morning, the man she calls Smart-But-Sexist-Manspreader chokes on a grape right in front of her. He'd have died were it not for the timely intervention of Sanjay, a nurse, who gives him the Heimlich maneuver. This single event starts a chain reaction, and an eclectic group of people with almost nothing in common except their commute discover that a chance encounter can blossom into much more. It turns out that talking to strangers can teach you about the world around you--and even more about yourself.

Summer, 1999. Felicia "Fe Fe" Stevens lives with her mother and older teenaged brother in building 4950 of Chicago's Robert Taylor Homes. The high-rise is next in line to be torn down by the Chicago Housing Authority, and the neighborhood is beginning to fall down around them. Fe Fe is friends with Precious and Stacia, but when Fe Fe welcomes Tonya into their fold, the dynamics shift. Their friendships fray, as do the structures of the four girls' families. Fe Fe must make the painful decision of whom she can trust and whom she must let go. Decades later, remembering that fateful summer, Fe Fe tries to make sense of the grief and fraught bonds that still haunt her and attempts to reclaim the love that never left.

In June, 1954, eighteen-year-old Emmett Watson is driven home to Nebraska by the warden of the juvenile work farm where he has just served fifteen months for involuntary manslaughter. His mother long gone, his father recently deceased, and the family farm foreclosed upon by the bank, Emmett's intention is to pick up his eight-year-old brother, Billy, and head to California where they can start their lives anew. But when the warden drives away, Emmett discovers that two friends from the work farm have hidden themselves in the trunk of the warden's car. Together, they have hatched an altogether different plan for Emmett's future, one that will take them all on a fateful journey in the opposite direction-to the City of New York.

Molly Dunn is not like everyone else. She struggles with social skills and interprets people literally. Her gran used to interpret the world for her, codifying it into simple rules that Molly could live by. Since Gran died a few months ago, twenty-five-year-old Molly has had to navigate life's complexities all by herself. No matter--she throws herself with gusto into her work as a hotel maid. Her unique character, along with her obsessive love of cleaning and proper etiquette, make her an ideal fit for the job. She delights in donning her crisp uniform each morning, stocking her cart with miniature soaps and bottles, and returning guest rooms at the Regency Grand Hotel to a state of perfection. But Molly's orderly life is turned on its head the day she enters the suite of the infamous and wealthy Charles Black, only to find it in a state of disarray and Mr. Black himself very dead in his bed. Before she knows what's happening, Molly's odd demeanor has the police targeting her as their lead suspect and she finds herself in a web of subtext and nuance she has no idea how to untangle. Fortunately for Molly, a medley of friends she didn't realize she had refuses to let her be charged with murder--but will they be able to discover the real killer before it's too late?

Dorothy Moy breaks her own heart for a living. As Seattle's former poet laureate, that's how she describes channeling her dissociative episodes and mental breakdowns into her art. But when her five-year-old daughter, Annabel, exhibits the same behavior and begins remembering things and events she has never experienced, Dorothy believes the past has truly come to haunt the present. If she doesn't take radical steps, her daughter will be doomed to face the same debilitating depression that has marked her life. Through epigenetic therapy-an experimental treatment designed to mitigate inherited trauma-Dorothy intimately connects with the past generations of women in her family: Faye Moy, a nurse in Burma serving with the Flying Tigers; Afong Moy, the first Chinese woman to set foot in America; Zoe Moy, a student in England at a famous school with no rules; Lai King Moy, a girl quarantined in San Francisco during a plague epidemic; and Greta Moy, a tech executive with a unique dating app. Through reliving their painful stories, Dorothy comes to understand the true cost of inherited pain. As the past bleeds into the present, Dorothy discovers that trauma isn't the only thing she's inherited. A stranger is searching for her in each time period. A stranger who's loved her through all of her genetic memories. And that person is most certainly not her current husband, Louis. To protect her daughter's future, Dorothy must break the cycle and find a way to cross time and resolve all past traumas, to find the love that has long been waiting, and find peace for Annabel. Even if it means she must sacrifice her only chance at life and happiness.

When we first meet Maria Lagana, she's rewriting scripts at Mercury Pictures, a failing Hollywood studio known for its schlock. Maria's job is to re-craft dialogue and action to circumvent the censors, a skill she's mysteriously adept at. Born in Italy, as a teenager Maria witnessed Mussolini's censors arrest her father, an event that will destroy her family and burden Maria with questions of guilt and responsibility she will carry with her throughout this wondrous, far-reaching novel. Like many before her, Maria has come to Hollywood to outrun her past. Despite its cheap production values and factory-approach to making movies, Mercury Pictures is a nexus of refugees and ýemigrýes, each struggling to reinvent themselves in the land of celluloid. There's Artie, the studio boss, a man of many toupees who barely escaped the pogroms of Eastern Europe; there's Anna, a set designer, who ran afoul of Hitler; and there's Eddie Lu, a struggling actor and Maria's boyfriend, who despite being born in Los Angeles encounters the worst of America's xenophobia. After the attack on Pearl Harbor, everything changes for Maria and her world, forcing her come to terms with her father's fate--and her own.

After many years of happy marriage, Emma Knightley and her husband are throwing a house party, bringing together distant relatives and new acquaintances-not all of whom are well known to the Knightleys but are certainly beloved by every Jane Austen fan: Elizabeth and Fitzwilliam Darcy, Marianne and Colonel Brandon, Anne and Captain Wentworth, and Fanny and Edmund Bertram. Very much not invited is Mr. Wickham, whose latest financial scheme has netted him newfound wealth-and a broadening array of enemies. With his unexpected arrival, tempers flare and secrets are revealed, making it clear that everyone would be happier if Mr. Wickham got his comeuppance. Yet the Knightleys and their guests are all shocked when Wickham turns up murdered-except, of course, for the killer hidden in their midst. With everyone a suspect, it falls to the house party's two youngest guests to solve the mystery of who finally delivered to Wickham his just deserts: Juliet Tilney, the smart and resourceful daughter of Catherine and Henry Tilney, eager for adventure outside Northanger Abbey; and Jonathan Darcy, Elizabeth and Darcy's eldest son, whose adherence to propriety makes his father seem relaxed. In a tantalizing fusion of Austen and Christie, the unlikely pair must put aside their own poor first impressions-and uncover the guilty party before an innocent person is sentenced to hang.

Jess needs a fresh start. She's broke and alone, and she's just left her job under less than ideal circumstances. Her half-brother Ben didn't sound thrilled when she asked if she could crash with him for a bit, but he didn't say no, and surely everything will look better from Paris. Only when she shows up, to find a very nice apartment, (could Ben really have afforded this?) he's not there. The longer Ben stays missing, the more Jess starts to dig into her brother's situation, and the more questions she has. Ben's neighbors are an eclectic bunch, and not particularly friendly. Jess may have come to Paris to escape her past, but it's starting to look like it's Ben's future that's in question. The socialite. The nice guy. The alcoholic. The girl on the verge. The concierge. Everyone's a neighbor. Everyone's a suspect. And everyone knows something they're not telling.

After Tova Sullivan's husband died, she began working the night shift at the Sowell Bay Aquarium, mopping floors and tidying up. Keeping busy has always helped her cope, which she's been doing since her eighteen-year-old son, Erik, mysteriously vanished on a boat in Puget Sound over thirty years ago. Tova becomes acquainted with curmudgeonly Marcellus, a giant Pacific octopus living at the aquarium. Marcellus knows more than anyone can imagine but wouldn't dream of lifting one of his eight arms for his human captors--until he forms a remarkable friendship with Tova. Ever the detective, Marcellus deduces what happened the night Tova's son disappeared. And now Marcellus must use every trick his old invertebrate body can muster to unearth the truth for her before it's too late.

1912. Edwin St. Andrew is eighteen years old when he crosses the Atlantic by steamship, exiled from polite society following an ill-conceived diatribe at a dinner party. He enters the forest, spellbound by the beauty of the Canadian wilderness, and suddenly hears the notes of a violin echoing in an airship terminal -- an experience that shocks him to his core. Two centuries later a famous writer named Olive Llewellyn is on a book tour. She's traveling all over Earth, but her home is the second moon colony, a place of white stone, spired towers, and artificial beauty. Within the text of Olive's best-selling pandemic novel lies a strange passage: a man plays his violin for change in the echoing corridor of an airship terminal as the trees of a forest rise around him. When Gaspery-Jacques Roberts, a detective in the black-skied Night City, is hired to investigate an anomaly in the North American wilderness, he uncovers a series of lives upended: The exiled son of an earl driven to madness, a writer trapped far from home as a pandemic ravages Earth, and a childhood friend from the Night City who, like Gaspery himself, has glimpsed the chance to do something extraordinary that will disrupt the timeline of the universe.

What if you could take a vacation to your past, without the filter of memory? What would you give to go back in time and relive your youth, in person, with the people who shared it? On the eve of her 40th birthday, Alice's life isn't terrible. She likes her job, even if it isn't exactly the one she expected. She's happy with her apartment, her romantic status, her independence, and she adores her lifelong best friend. But something is missing. Her father, the single parent who raised her, is ailing and out of reach. How did they get here so fast? Did she take too much for granted along the way? When Alice wakes up the next morning somehow back in 1996, it isn't her 16-year-old body that is the biggest shock, or the possibility of romance with her adolescent crush, it's her dad: the vital, charming, 49-year-old version of her father with whom she is reunited. Now armed with a new perspective on her own life and his, is there anything that she should do differently this time around? What would she change, given the chance?

On a bitter-cold day, in the December of his junior year at Harvard, Sam Masur exits a subway car and sees, amid the hordes of people waiting on the platform, Sadie Green. He calls her name. For a moment, she pretends she hasn't heard him, but then, she turns, and a game begins: a legendary collaboration that will launch them to stardom. These friends, intimates since childhood, borrow money, beg favors, and, before even graduating college, they have created their first blockbuster, Ichigo. Overnight, the world is theirs. Not even twenty-five years old, Sam and Sadie are brilliant, successful, and rich, but these qualities won't protect them from their own creative ambitions or the betrayals of their hearts.

Sara King has nothing, save for her secrets and the baby in her belly, as she boards the bus to Memphis, hoping to outrun her past in Chicago. She is welcomed with open arms by Mama Sugar, a kindly matriarch and owner of the popular boardinghouse The Scarlet Poplar. Like many cities in early 1960s America, Memphis is still segregated, but change is in the air. News spreads of the Freedom Riders. Across the country, people like Martin Luther King Jr. are leading the fight for equal rights. Black literature and music provide the stories and soundtrack for these turbulent and hopeful times, and Sara finds herself drawn in by conversations of education, politics and a brighter tomorrow with Jonas, a local schoolteacher. Romance blooms between them, but secrets from Mama Sugar's past threaten their newfound happiness with Sara and Jonas soon caught in the crosshairs, leading Sara to make decisions that will reshape the rest of their lives.

Ariel Price wakes up in Lisbon, alone. Her husband is gone--no warning, no note, not answering his phone. Something is wrong. She starts with hotel security, then the police, then the American embassy, at each confronting questions she can't fully answer: What exactly is John doing in Lisbon? Why would he drag her along on his business trip? Who would want to harm him? And why does Ariel know so little about her new--much younger--husband? The clock is ticking. Ariel is increasingly frustrated and desperate, running out of time, and the one person in the world who can help is the one person she least wants to ask.

1938: The Great Depression lingers. Hitler is threatening Europe, and world-weary Americans long for wonder. They find it in two giraffes who miraculously survive a hurricane while crossing the Atlantic. What follows is a twelve-day road trip in a custom truck to deliver Southern California's first giraffes to the San Diego Zoo. Behind the wheel is the young Dust Bowl rowdy Woodrow Wilson Nickel. Present day: At 105, Woody feels his life ebbing away. When he learns giraffes are going extinct, he finds himself recalling an experience he cannot take to his grave. In retelling his story, he explores what it means to be changed by the grace of animals, the kindness of strangers, and the passing of time.

A gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher." When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania. What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves. Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.