Lariat Adult Fiction Reading List

Eve Brown is a certified hot mess. No matter how hard she strives to do right, her life always goes horribly wrong--so she's given up trying. But when her personal brand of chaos ruins an expensive wedding (someone had to liberate those poor doves), her parents draw the line. It's time for Eve to grow up and prove herself even though she's not entirely sure how. Jacob Wayne is in control. Always. The bed and breakfast owner is on a mission to dominate the hospitality industry and he expects nothing less than perfection. So when a purple-haired tornado of a woman turns up out of the blue to interview for his open chef position, he tells her the brutal truth: not a chance in hell. Then she hits him with her car supposedly by accident. Yeah, right. Now his arm is broken, his B & B is understaffed, and the dangerously unpredictable Eve is fluttering around, trying to help. Before long, she's infiltrated his work, his kitchen and his spare bedroom. Jacob hates everything about it. Or rather, he should. Sunny, chaotic Eve is his natural-born nemesis, but the longer these two enemies spend in close quarters, the more their animosity turns into something else. Like Eve, the heat between them is impossible to ignore and it's melting Jacob's frosty exterior.

An unambitious twenty-two-year-old, Darren lives in a Bed-Stuy brownstone with his mother, who wants nothing more than to see him live up to his potential as the valedictorian of Bronx Science. But Darren is content working at Starbucks in the lobby of a Midtown office building, hanging out with his girlfriend, Soraya, and eating his mother's home-cooked meals. All that changes when a chance encounter with Rhett Daniels, the silver-tongued CEO of Sumwun, NYC's hottest tech startup, results in an exclusive invitation for Darren to join an elite sales team on the thirty-sixth floor. After enduring a "hell week" of training, Darren, the only Black person in the company, reimagines himself as "Buck," a ruthless salesman unrecognizable to his friends and family. But when things turn tragic at home and Buck feels he's hit rock bottom, he begins to hatch a plan to help young people of color infiltrate America's sales force, setting off a chain of events that forever changes the game.

Motherless, Esme spends her childhood in the Scriptorium, a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. One day a slip of paper containing the word bondmaid flutters beneath the table. She rescues the slip, and is told that the word means "slave girl." Learning that words relating to women's and common folks' experiences often go unrecorded, Esme begins to collect other words discarded by the dictionary men. As she grows up, Esme begins in earnest to search out words for her own dictionary: the Dictionary of Lost Words.

As a decorated undercover DEA special agent, Garrett Kohl has traveled the world-- and fought in most of it-- but it's the High Plains of northwest Texas he calls home and dreams of returning to one day. When he is ordered back to Texas on a short mission expected to take a week at most, Kohl is unsettled to discover that the once-peaceful ranching community he loves is under attack. A band of criminals who have infiltrated law enforcement, corrupted local businesses, and is now terrorizing Kohl's own family.

Gilda, a twenty-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she's there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace. In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace's old friend. She can't bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can't bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace's death, Gilda may have to finally reveal the truth of her mortifying existence.

It's Holy Week in the small town of Las Penas, New Mexico, and thirty-three-year-old unemployed Amadeo Padilla has been given the part of Jesus in the Good Friday procession. He is preparing feverishly for this role when his fifteen-year-old daughter Angel shows up pregnant on his doorstep and disrupts his plans. Their reunion sets her own life down a startling path. Vivid, tender, darkly funny, and beautifully rendered, The Five Wounds spans the baby's first year as five generations of the Padilla family converge: Amadeo's mother, Yolanda, reeling from a recent discovery; Angel's mother, whom Angel isn't speaking to; and disapproving Tío Tíve, keeper of the family's history. In the absorbing, realist tradition of Elizabeth Strout and Jonathan Franzen, Kirstin Valdez Quade conjures characters that will linger long after the final page, bringing to life their struggles to parent children they may not be equipped to save.

Texas, 1921. A time of abundance. The Great War is over, the bounty of the land is plentiful, and America is on the brink of a new and optimistic era. But for Elsa Wolcott, deemed too old to marry in a time when marriage is a woman's only option, the future seems bleak. Until the night she meets Rafe Martinelli and decides to change the direction of her life. With her reputation in ruin, there is only one respectable choice: marriage to a man she barely knows. By 1934, the world has changed; millions are out of work and drought has devastated the Great Plains. Farmers are fighting to keep their land and their livelihoods as crops fail and water dries up and the earth cracks open. Dust storms roll relentlessly across the plains. Everything on the Martinelli farm is dying, including Elsa's tenuous marriage; each day is a desperate battle against nature and a fight to keep her children alive. In this uncertain and perilous time, Elsa - like so many of her neighbors - must make an agonizing choice: fight for the land she loves or leave it behind and go west, to California, in search of a better life for her family.

After being rescued as infants from a sinking ocean liner in 1914, Marian and Jamie Graves are raised by their dissolute uncle in Missoula, Montana. There --after encountering a pair of pilots passing through town in a beat up Cessna--Marian commences her lifelong love affair with flight. At fifteen, she drops out of school and finds an unexpected and dangerous patron in a wealthy rancher who provides a plane and subsidizes her lessons, an arrangement that will haunt her for the rest of her life, even as it allows her to fulfill her destiny: circumnavigating the globe and piloting her plane over the Arctic Circle. A century later, Hadley Baxter is cast to play Marian in a film that centers on Marian's disappearance over the South Pacific. Vibrant, canny, disgusted with the claustrophobia of Hollywood, Hadley is eager to re-define herself after a romantic film franchise has imprisoned her in the grip of cult celebrity. Her immersion into the character of Marian unfolds, thrillingly, alongside Marian's own story, as the two womens' fates--and their hunger for self-determination in vastly different geographies and times-- collide.

Moving their family to what they believe will be a safer but temporary home in Houston, two young parents are forced to choose between an undocumented status in America and returning to the violence of war-torn Bogotá.

Making a Faustian bargain to live forever but never be remembered, a woman from early eighteenth-century France endures unacknowledged centuries before meeting a man who remembers her name.

Klara, an Artificial Friend with outstanding observational qualities, is designed to be a playmate for real children. From her place in the store she watches the behavior of those who come in to browse, and those who pass on the street outside. In conversations with the other AI and the Manager, she remains hopeful she will be chosen. When a possibility emerges that her circumstances may change forever, Klara is warned not to invest too much in the promises of humans. In this luminous tale, Klara and the Sun, Nobel Prize winner Kazuo Ishiguro looks at our rapidly changing modern world through the eyes of an unforgettable narrator to explore a fundamental question: what does it mean to love?

Hidden in the depths of eighteenth-century London, a secret apothecary shop caters to an unusual kind of clientèle. Women across the city whisper of a mysterious figure named Nella who sells well-disguised poisons to use against the oppressive men in their lives. But the apothecary's fate is jeopardized when her newest patron, a precocious twelve-year-old, makes a fatal mistake, sparking a string of consequences that echo through the centuries. Meanwhile in present-day London, aspiring historian Caroline Parcewell spends her tenth wedding anniversary alone, running from her own demons. When she stumbles upon a clue to the unsolved apothecary murders that haunted London two hundred years ago, her life collides with the apothecary's in a stunning twist of fate, and not everyone will survive.

1970s Baltimore. Mary Jane loves cooking with her mother, singing in her church choir, and enjoying her family's subscription to the Broadway Show Tunes of the Month record club. Then she lands a summer job as a nanny for the daughter of a local doctor. The house may look respectable on the outside, but inside it is a literal and figurative mess: clutter on every surface, impeachment bumper stickers on the doors, cereal and takeout for dinner. And even more troublesome: The doctor is a psychiatrist who has cleared his summer for one important job-- helping a famous rock star dry out. Over the course of the summer Mary Jane introduces her new household to crisply ironed clothes and a family dinner schedule, and has a front-row seat to a liberal world of sex, drugs, and rock-and-roll (not to mention group therapy). She will arrive at September with a new idea about what she wants out of life, and what kind of person she is going to be.

Between life and death there is a library, and within that library, the shelves go on forever. Every book provides a chance to try another life you could have lived. To see how things would be if you had made other choices... Would you have done anything different, if you had the chance to undo your regrets?' A dazzling novel about all the choices that go into a life well lived, from the internationally bestselling author of Reasons to Stay Alive and How To Stop Time. Somewhere out beyond the edge of the universe there is a library that contains an infinite number of books, each one the story of another reality. One tells the story of your life as it is, along with another book for the other life you could have lived if you had made a different choice at any point in your life. While we all wonder how our lives might have been, what if you had the chance to go to the library and see for yourself? Would any of these other lives truly be better? In The Midnight Library, Matt Haig's enchanting new novel, Nora Seed finds herself faced with this decision. Faced with the possibility of changing her life for a new one, following a different career, undoing old breakups, realizing her dreams of becoming a glaciologist; she must search within herself as she travels through the Midnight Library to decide what is truly fulfilling in life, and what makes it worth living in the first place.

The Briscoe family is once again the talk of their small town when March returns to East Texas two years after he was caught having an affair with his brother's wife. His mother, June, hardly welcomes him back with open arms, and is no stranger to infidelity herself; she's tired of being the long-suffering wife thanks to her husband's many affairs. Within days of March's arrival, someone is dead, marriages are upended, and even the strongest of allies are divided. In the end, the ties that hold them together might be exactly what drag them all down. The Briscoes must reckon with their choices, their capacity for forgiveness, and the confines of family.

Seventeen-year-old Lenni Pettersson has been told she's dying, but still has plenty of living to do. She lives on the Terminal Ward at the Glasgow Princess Royal Hospital. In their arts and crafts class she meets Margot, an 83-year-old, purple-pajama-wearing, fruitcake-eating rebel. Their friendship blooms, and though their days are dwindling both are determined to leave their mark on the world. With the help of Lenni's doting palliative care nurse and Father Arthur, the hospital's patient chaplain, Lenni and Margot devise a plan to create one hundred paintings showcasing the stories of the century they have lived: stories of love and loss, of courage and kindness, of unexpected tenderness and pure joy.

Mab is the "normal" one, never mind Bourne Memorial High School has banned that term, and besides, she's a stickler for words and definitions and knows normal isn't normal in Bourne. Monday is a stickler for everything else. She doesn't like abbreviations, contractions, lies, typos, or wearing green clothes on yellow days. When the Bourne library shut down--funds desperately needed elsewhere--she stashed the books under her bed, behind the sofa, along the stairs, inside the microwave, and lends them from home. Mirabel's the smart one, the slow one, the stuck one. Much of her body requires augmentation--she needs a wheelchair to navigate the world, a voice app to speak to it--but her right arm and hand work flawlessly. And so do her brain and her heart. Nora gave her girls "M" names with escalating syllables so she'd be able to keep them straight. As if single parenting sixteen-year-old triplets weren't enough, her two jobs--Bourne's only therapist and its only bartender--are both in unusually high demand. And then there's the job she can't let go--lead plaintiff in Bourne's class-action lawsuit against Bison Chemical. Seventeen years ago, the Bison plant was pumping toxic chemicals into Bourne's river. Flowers stopped blooming. Pets got sick, then their owners did too. A generation was born not quite whole. Nora assures her daughters they're perfect just the way they are, but she's still spent their whole lives fighting to make Bison pay. When a new student at Bourne Memorial High turns out to be the grandson of Bison's CEO, everyone realizes that in a town where nothing ever changes, suddenly everything has. And when Bison announces plans to reopen the plant, the girls take up their mother's cause in a race to find what Bison is hiding and to stop them.

The remarkable, little-known story of Belle da Costa Greene, J. P. Morgan's personal librarian-who became one of the most powerful women in New York despite the dangerous secret she kept in order to make her dreams come true, from New York Times bestselling author Marie Benedict and acclaimed author Victoria Christopher Murray. In her twenties, Belle da Costa Greene is hired by J. Pierpont Morgan to curate a collection of rare manuscripts, books, and artwork for his newly built Morgan Library. Belle becomes a fixture on the New York society scene and one of the most powerful people in the art and book world, known for her impeccable taste and shrewd negotiating for critical works as she helps build a world-class collection. But Belle has a secret, one she must protect at all costs. She was born not Belle da Costa Greene but Belle Marion Greener. She is the daughter of Richard Greener, the first Black graduate of Harvard and well-known advocate for equality. Belle's complexion isn't dark because of her alleged Portuguese heritage that lets her pass as white-her complexion is dark because she is African American. The Personal Librarian tells the story of an extraordinary woman, famous for her intellect, style, and wit, and shares the lengths she must go-for the protection of her family and her legacy-to preserve her carefully crafted white identity in the racist world in which she lives.

A tense, page-turning psychological drama about the making and breaking of a family, about a woman whose experience of motherhood is nothing at all what she hoped for--and everything she feared. Blythe Connor is determined that she will be the warm, comforting, supportive mother to her new baby Violet that she herself never had. But in the thick of motherhood's exhausting early days, Blythe becomes convinced that something is wrong with her daughter--Violet rejects her mother, screams uncontrollably, and becomes a disturbing, disruptive presence at her preschool. Or is it all in Blythe's head? Her husband, Fox, says she's imagining things. What he sees is an overwhelmed wife who can't cope with the day-to-day grind. The more Fox dismisses her fears, the more Blythe begins to question her own sanity, and the more we begin to question what Blythe is telling us about her life as well. Then their son Sam is born--and with him, Blythe has the natural, blissful connection she'd always imagined with her child. Even Violet seems to love her little brother. But when life as they know it is changed in an instant, the devastating fall-out forces Blythe to face the truth. Here, we see the making and breaking of a family in crystalline detail, and what it feels like when women are not believed. The Push is a tour de force you will read in a sitting, an utterly immersive pageturner that will challenge everything you think you know about motherhood, about our children, and about what happens behind the doors of even the most perfect-looking families.

Mukesh lives a quiet life in the London Borough of Wembley after losing his beloved wife. He worries about his granddaughter, Priya, who hides in her room reading while he spends his evenings watching nature documentaries. Aleisha is a bright teenager working at the local library for the summer. She discovers a crumpled-up piece of paper in the back of To Kill a Mockingbird; it is a list of novels that she has never heard of, and she impulsively decides to read every book on the list. When Mukesh arrives at the library seeking to forge a connection with his bookworm granddaughter, Aleisha passes along the reading list. The shared books create a connection between two lonely souls, as fiction helps them escape their grief and everyday troubles and find joy again.

Brooklynite Eva Mercy is a single mom and bestselling erotica writer, who is feeling pressed from all sides. Shane Hall is a reclusive, enigmatic, award-winning literary author who, to everyone's surprise, shows up in New York. When Shane and Eva meet unexpectedly at a literary event, sparks fly, raising not only their past buried traumas, but the eyebrows of New York's Black literati. What no one knows is that twenty years earlier, teenage Eva and Shane spent one crazy, torrid week madly in love. They may be pretending that everything is fine now, but they can't deny their chemistry-or the fact that they've been secretly writing to each other in their books ever since. Over the next seven days in the middle of a steamy Brooklyn summer, Eva and Shane reconnect, but Eva's not sure how she can trust the man who broke her heart, and she needs to get him out of New York so that her life can return to normal. But before Shane disappears again, there are a few questions she needs answered. . . With its keen observations of Black life and the condition of modern motherhood, as well as the consequences of motherless-ness, Seven Days in June is by turns humorous, warm and deeply sensual.

In every book we read, no one ever thought anything bad was happening until it was too late. Patricia Campbell's life has never felt smaller. Her husband is a workaholic, her teenage kids have their own lives, her senile m other-in-law needs constant care, and she's always a step behind on her endless to-do list. The only thing keeping her sane is her book club, a close-knit group of Charleston women united by their love of true crime. At these meetings they're as likely to talk about the Manson family as they are about their own families. One evening after book club, Patricia is viciously attacked by an elderly neighbor, bringing the neighbor's handsome newphew, James Harris, into her life. James is well traveleed and well read, and he makes Patricia feel things she hasn't felt in years. But when children on the other side of town go missing, their deaths written off by local police, Patricia has reason to believe James Harris is more of a Bundy than a Brad Pitt. The real problem? James is a monster of a different kind --and Patricia has already invited him in. Little by little, James will insinuate himself into Patricia's life and try to take everything she took for granted--including the book club-- but she won't surrender without a fight in this blood-soaked tale of neighborly kindness gone wrong.

In the waning days of the Civil War, brothers Prentiss and Landry, freed by the Emancipation Proclamation, seek refuge on the homestead of George Walker and his wife, Isabelle. The Walkers, wracked by the loss of their only son to the war, hire the brothers to work their farm, hoping through an unexpected friendship to stanch their grief. Prentiss and Landry, meanwhile, plan to save money for the journey north and a chance to reunite with their mother, who was sold away when they were boys. Parallel to their story runs a forbidden romance between two Confederate soldiers. The young men, recently returned from the war to the town of Old Ox, hold their trysts in the woods. But when their secret is discovered, the resulting chaos, including a murder, unleashes convulsive repercussions on the entire community. In the aftermath of so much turmoil, it is Isabelle who emerges as an unlikely leader, proffering a healing vision for the land and for the newly free citizens of Old Ox.

Thirty years ago, a teenage Vincent King was sent to prison. But now, he's served his sentence and is returning to his hometown. The hometown where his childhood best friend, Walk, is now the chief of police. The town where his childhood sweetheart, Star Radley, still lives. The same Star Radley whose sister he killed. Duchess, Star's daughter, is a self-proclaimed outlaw. She needs to be. Who else is going to take care of her and her five-year-old brother? Star is still dazzling, still beautiful, but she hasn't shined as bright since Vincent was sent away. Too often it's Duchess and Walk who are the ones taking care of her. But when Duchess exacts her own vigilante revenge, she will set into motion a series of events that threatens not only her own family, but everyone she grows close to. A crime thriller that will break your heart and a literary novel with a mystery at its core, We Begin at the End unforgettably examines how the choices we make can nudge us into the dangerous ground between good and evil.

Born on a plantation in Charles City, Virginia, Pheby Brown was promised her freedom on her eighteenth birthday. Instead she finds herself thrust into the bowels of slavery at the infamous Devil's Half-Acre, a jail where slaves are broken, tortured, and sold every day. Forced to become the mistress of the brutal man who owns the jail, Pheby's survival lies in outwitting him-- even if it means making the ultimate sacrifice.