Booker Prize for Fiction

"I would be lying if I say my mother's misery has never given me pleasure," says Antara, Tara's now-adult daughter.
In her youth, Tara was wild. She abandoned her marriage to join an ashram, and while Tara is busy as a partner to the ashram's spiritual leader, Baba, little Antara is cared for by an older devotee, Kali Mata, an American who came to the ashram after a devastating loss. Tara also embarks on a stint as a beggar (mostly to spite her affluent parents) and spends years chasing a disheveled, homeless artist, all with young Antara in tow. But now Tara is forgetting things, and Antara is an adult--an artist and married--and must search for a way to make peace with a past that haunts her as she confronts the task of caring for a woman who never cared for her.

With the threat of Mussolini's army looming, recently orphaned Hirut struggles to adapt to her new life as a maid to Kidane and his wife Aster. Kidane, an officer in Emperor Haile Selassie's army, rushes to mobilize his strongest men before the Italians invade. His initial kindness to Hirut shifts into cruelty when she resists his advances, and Hirut finds herself tumbling into a new world of thefts and violations, of betrayals and rage. As the war begins in earnest, the Emperor goes into exile and Ethiopia quickly loses hope. Hirut helps disguise a gentle peasant as the emperor and soon becomes his guard, inspiring other women to take up arms against the Italians.

Hugh "Shuggie" Bain spends his 1980s childhood in public housing in Glasgow, Scotland. Thatcher's war on heavy industry has put husbands and sons out of work, and the city's notorious drugs epidemic is waiting in the wings. His mother Agnes is Shuggie's guiding light but a burden for his siblings. Dreaming of a house with its own front door and ordering happiness on credit as her husband philanders, Agnes keeps her pride by looking good but finds solace in drink. As she swings between alcoholic binges and sobriety, Agnes's addiction has the power to eclipse everyone close to her-- especially her beloved Shuggie.

A novel of rare emotional power that excavates the social intricacies of a late-summer weekend -- and a lifetime of buried pain. Almost everything about Wallace, an introverted African-American transplant from Alabama, is at odds with the lakeside Midwestern university town where he is working toward a biochem degree. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends -- some dating each other, some dating women, some feigning straightness. But a series of confrontations with colleagues, and an unexpected encounter with a young straight man, conspire to fracture his defenses, while revealing hidden currents of resentment and desire that threaten the equilibrium of their community

Bea's five-year-old daughter, Agnes, is slowly wasting away, consumed by the smog and pollution of the overdeveloped metropolis that most of the population now calls home. If they stay in the city, Agnes will die. There is only one alternative: the Wilderness State, the last swath of untouched, protected land, where people have always been forbidden. Bea, Agnes, and eighteen others volunteer to live in the Wilderness State, guinea pigs in an experiment to see if humans can exist in nature without destroying it. Living as nomadic hunter-gatherers, they slowly and painfully learn to survive in an unpredictable, dangerous land, bickering and battling for power and control as they betray and save one another. But as Agnes embraces the wild freedom of this new existence, Bea realizes that saving her daughter's life means losing her in a different way. The farther they get from civilization, the more their bond is tested in astonishing and heartbreaking ways

"I would be lying if I say my mother's misery has never given me pleasure," says Antara, Tara's now-adult daughter.
In her youth, Tara was wild. She abandoned her marriage to join an ashram, and while Tara is busy as a partner to the ashram's spiritual leader, Baba, little Antara is cared for by an older devotee, Kali Mata, an American who came to the ashram after a devastating loss. Tara also embarks on a stint as a beggar (mostly to spite her affluent parents) and spends years chasing a disheveled, homeless artist, all with young Antara in tow. But now Tara is forgetting things, and Antara is an adult--an artist and married--and must search for a way to make peace with a past that haunts her as she confronts the task of caring for a woman who never cared for her.

Sequel to Wolf hall (2009) and Bring up the bodies (2012). England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith's son from Putney emerges from the spring's bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen before Jane dies giving birth to the male heir he most craves. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry's regime to the breaking point, Cromwell's robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him?

Bassam Aramin is Palestinian. Rami Elhanan is Israeli. They inhabit a world of intractable conflict that colors every aspect of their daily lives, from the roads they are allowed to take to the schools their daughters, Abir and Smadar, each attend. Theirs is a life in which children from both sides of the wall throw stones at one another. But their worlds shift irreparably when ten-year-old Abir is killed by a rubber bullet meant to quell unruly crowds, and again when thirteen-year-old Smadar becomes the victim of suicide bombers. When Bassam and Rami learn one another's stories and the loss that connects them, they become part of a much larger tale that ranges over centuries and continents.

With the threat of Mussolini's army looming, recently orphaned Hirut struggles to adapt to her new life as a maid to Kidane and his wife Aster. Kidane, an officer in Emperor Haile Selassie's army, rushes to mobilize his strongest men before the Italians invade. His initial kindness to Hirut shifts into cruelty when she resists his advances, and Hirut finds herself tumbling into a new world of thefts and violations, of betrayals and rage. As the war begins in earnest, the Emperor goes into exile and Ethiopia quickly loses hope. Hirut helps disguise a gentle peasant as the emperor and soon becomes his guard, inspiring other women to take up arms against the Italians.

Alix Chamberlain is a woman who gets what she wants and has made a living, with her confidence-driven brand, showing other women how to do the same. So she is shocked when her babysitter, Emira Tucker, is confronted while watching the Chamberlains' toddler one night, walking the aisles of their local high-end supermarket. The store's security guard, seeing a young black woman out late with a white child, accuses Emira of kidnapping two-year-old Briar. A small crowd gathers, a bystander films everything, and Emira is furious and humiliated. Alix resolves to make things right. But Emira herself is aimless, broke, and wary of Alix's desire to help. At twenty-five, she is about to lose her health insurance and has no idea what to do with her life. When the video of Emira unearths someone from Alix's past, both women find themselves on a crash course that will upend everything they think they know about themselves, and each other.

Hugh "Shuggie" Bain spends his 1980s childhood in public housing in Glasgow, Scotland. Thatcher's war on heavy industry has put husbands and sons out of work, and the city's notorious drugs epidemic is waiting in the wings. His mother Agnes is Shuggie's guiding light but a burden for his siblings. Dreaming of a house with its own front door and ordering happiness on credit as her husband philanders, Agnes keeps her pride by looking good but finds solace in drink. As she swings between alcoholic binges and sobriety, Agnes's addiction has the power to eclipse everyone close to her-- especially her beloved Shuggie.

A novel of rare emotional power that excavates the social intricacies of a late-summer weekend -- and a lifetime of buried pain. Almost everything about Wallace, an introverted African-American transplant from Alabama, is at odds with the lakeside Midwestern university town where he is working toward a biochem degree. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends -- some dating each other, some dating women, some feigning straightness. But a series of confrontations with colleagues, and an unexpected encounter with a young straight man, conspire to fracture his defenses, while revealing hidden currents of resentment and desire that threaten the equilibrium of their community

Micah Mortimer is a creature of habit. A self-employed tech expert, superintendent of his Baltimore apartment building, cautious to a fault behind the steering wheel, he seems content leading a steady, circumscribed life. But one day his routines are blown apart when his woman friend (he refuses to call anyone in her late thirties a "girlfriend") tells him she's facing eviction, and a teenager shows up at Micah's door claiming to be his son. These surprises, and the ways they throw Micah's meticulously organized life off-kilter, risk changing him forever.

Rachel and Eliza, a married couple planning to have a baby together with their friends Hal and Greg. The experience brings the women even closer together until one night Rachel wakes in great distress, believing that an ant has crawled into her eye - and Eliza doesn't believe her. With this event, the fault lines in Rachel and Eliza's fundamental ideas about their relationship are exposed, calling into question their willingness to truly accept and have faith in one another, and their future together.The story is told from the point of view of different characters in Rachel and Eliza's world (including the ant itself) and, inspired by Ward's fascination with scientists and philosophers and the way they use stories to discuss important ideas, uses 11 of the best-known thought experiments in philosophy as a device through which to talk about love.

Newly orphaned children of immigrants, Lucy and Sam are suddenly alone in a land that refutes their existence. Fleeing the threats of their western mining town, they set off to bury their father in the only way that will set them free from their past. Along the way, they encounter giant buffalo bones, tiger paw prints, and the specters of a ravaged landscape as well as family secrets, sibling rivalry, and glimpses of a different kind of future.