Nobel Prize for Literature: 1940s

The German writer reflects on human morality, the nature and value of literature, and his personal search for identity.

Siddhartha is the story of a young Brahmn's quest for the ultimate reality. His quest takes him from the extremes of indulgent sensuality to the rigors of ascetism and self-denial. At last he learns that wisdom cannot be taught–it must come from one's own experience and inner struggle. Steeped in the tenets of both psychoanalysis and Eastern mysticism, Siddhartha presents a strikingly original view of man and culture, and the arduous process of self-discovery that leads to reconciliation, harmony and peace.

It is the story of the quest of Siddhartha, a wealthy Indian Brahmin who casts off a life of privilege and comfort to seek spiritual fulfillment and wisdom. On his journey, Siddhartha encounters wandering ascetics, Buddhist monks, and successful merchants, as well as a courtesan named Kamala and a simple ferryman who has attained enlightenment. Traveling among these people and experiencing life’s vital passages–love, work, friendship, and fatherhood–Siddhartha discovers that true knowledge is guided from within.

The story of Harry Haller, a man of about 50 who believed he was half man and half wolf.

This selection of twenty-three stories (twenty available in English for the first time) offers a spectrum of Hesse's writing from 1899 to 1948 that could be matched only by an edition of his poetry, since in no other form--novel, essay, autobiographical reflection--did he span so many years. Here, within the covers of a single volume, the reader can trace Hesse's development from the aestheticism of his youth through the realism and surrealism of the next decades to the classicism of his old age. And the reader who knows Hesse mainly through his major novels of the twenties and thirties will be surprised to encounter him in a variety of new incarnations.

'It's only after our death that we shall really be able to hear'. The measured tone of hopeless nihilism that pervades "The Counterfeiters" quickly shatters any image of Andre Gide as the querulous and impious Buddha to a quarter-century of intellectuals. In sharp and brilliant prose a seedy, cynical and gratuitously alarming narrative is developed, involving a wide range of otherwise harmless and mainly middle-to-upper-class Parisians. But the setting could be anywhere. From puberty through adolescence to death, "The Counterfeiters" is a rare encyclopedia of human disorder, weakness and despair.

A translation of Gide's classic psychological novel depicting the gradual degeneration of an idealistic young scholar.

Eliot's most popular play published in his lifetime. The Cocktail Party was written while Eliot was a visiting scholar at the Institute for Advanced Study in 1948. It was first performed at the Edinburgh Festival in 1949. In 1950 the play had successful runs in London and New York theaters (the Broadway production received the 1950 Tony Award for Best Play.) It focuses on a troubled married couple who, through the intervention of a mysterious stranger, settle their problems and move on with their lives.

Poet, dramatist, critic, and editor, T. S. Eliot was one of the defining figures of twentieth-century poetry. This edition of Collected Poems 1909-1962 includes The Love Song of J. Alfred Prufrock along with Four Quartets, The Waste Land, and several other poems.

The Archbishop Thomas Becket speaks fatal words before he is martyred in T. S. Eliot's best-known drama, based on the murder of the Archbishop of Canterbury in 1170. Praised for its poetically masterful handling of issues of faith, politics, and the common good, T. S. Eliot's play bolstered his reputation as the most significant poet of his time.

Contains fifteen poems about cats. Originally written for the author's godchildren.

Thirty-one essays-categorized as “essays in generalization,” “appreciations of individual authors,” and “social and religious criticism”- written over a half century. This volume reveals Eliot’s original ideas, cogent conclusions, and skill and grace in language.

Absalom, Absalom! is Faulkner’s epic tale of Thomas Sutpen, an enigmatic stranger who comes to Jefferson, Mississippi, in the early 1830s to wrest his mansion out of the muddy bottoms of the north Mississippi wilderness. He was a man, Faulkner said, “who wanted sons and the sons destroyed him.”

Faulkner’s harrowing account of the Bundren family’s odyssey across the Mississippi countryside to bury Addie, their wife and mother. Narrated in turn by each of the family members—including Addie herself—as well as others the novel ranges in mood, from dark comedy to the deepest pathos.

Go Down, Moses is composed of seven interrelated stories, all of them set in Faulkner’s mythic Yoknapatawpha County. From a variety of perspectives, Faulkner examines the complex, changing relationships between blacks and whites, between man and nature, weaving a cohesive novel rich in implication and insight.

Joe Christmas does not know whether he is black or white. Faulkner makes of Joe's tragedy a powerful indictment of racism; at the same time Joe's life is a study of the divided self and becomes a symbol of 20th century man.

The Mansion completes Faulkner’s great trilogy of the Snopes family in the mythical county of Yoknapatawpha, Mississippi, which also includes The Hamlet and The Town. Beginning with the murder of Jack Houston, and ending with the murder of Flem Snopes, it traces the downfall of this indomitable post-bellum family, who managed to seize control of the town of Jefferson within a generation.

Contents: Soldiers' pay -- Mosquitoes -- Flags in the dust -- The sound and the fury.

Contents: As I lay dying -- Sanctuary -- Light in August -- Pylon.

Contents: Absalom, Absalom! -- The unvanquished -- If I forget thee, Jerusalem [The wild palms] -- The hamlet.

Contents: Go Down, Moses--Intruder n the Dust--Requiem for a Nun--A Fable.

Contents: The Town--The Mansion--The Reivers.

In prose of biblical grandeur and feverish intensity, William Faulkner reconstructed the history of the American South as a tragic legend of courage and cruelty, gallantry and greed, futile nobility and obscene crimes. He set this legend in a small, minutely realized parallel universe that he called Yoknapatawpha County, Mississippi.

Sanctuary is a novel about the rape and abduction of a well-bred Mississippi college girl, Temple Drake, during the Prohibition era. It is considered one of his more controversial works, given its theme of rape.

The Sound and the Fury is the tragedy of the Compson family, featuring some of the most memorable characters in literature: beautiful, rebellious Caddy; the manchild Benjy; haunted, neurotic Quentin; Jason, the brutal cynic; and Dilsey, their black servant. Their lives fragmented and harrowed by history and legacy, the character’s voices and actions mesh to create what is arguably Faulkner’s masterpiece and one of the greatest novels of the twentieth century.

The Sound and the Fury & As I Lay Dying (Modern Library of the World's Best Books, No. 187)